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name: synopsis description: | This skill provides one-page synopsis writing techniques for screenplays. Covers the five requirements of a good synopsis, synopsis vs treatment comparison, and formatting for submission to producers and executives.

Use when: preparing submission materials, creating one-page story summaries, pitching to producers or executives, or condensing screenplay for coverage.

Synopsis Skill

Invocation Triggers

Apply this skill when:

• Preparing submission materials
• Creating one-page story summaries
• Pitching to producers or executives
• Condensing screenplay for coverage

What Makes a Good Synopsis

Per WTFB methodology, a good synopsis must:

1. Be easily pitchable by a producer to others - They need to be able to sell it up the chain
2. Be instantly understandable on first read - No re-reading required
3. Give an accurate picture of the story - No misleading or incomplete information
4. Be one page or less - Industry standard maximum length
5. Not over-complicate with every character/detail - Focus on essentials

Synopsis vs. Treatment

Synopsis Structure

Header

CopyTITLE: ___________________________________
SUBMITTED BY: ___________________________________
AUTHOR: ___________________________________
FORM/PAGES: Script – ___ pages
GENRE: ___________________________________
LOCALE: ___________________________________
CIRCA: ___________________________________

Logline (2-3 lines)

The hook that captures the essence of your story.

Body (Remaining space)

Tell the complete story in present tense, focusing on:

• Main character introduction
• The central conflict
• Key turning points
• The resolution

Synopsis Template

Copy# [TITLE]

**Genre:** [Genre] | **Setting:** [Location], [Time Period]
**Pages:** [Number] | **Format:** Original Screenplay

## LOGLINE
[One to two sentence hook]

## SYNOPSIS

[PROTAGONIST NAME] is [brief character description establishing their status quo].

When [INCITING INCIDENT], [they] must [GOAL]. But [ANTAGONIST/OBSTACLE] stands in the way, [describe conflict].

As [PROTAGONIST] [midpoint action/discovery], [stakes raise]. [Describe escalation and complications].

[Describe the dark moment/all is lost beat].

In the end, [PROTAGONIST] [describe resolution and character transformation]. [Final image or state].

Example Synopsis: Eastern Market

CopyTITLE: EASTERN MARKET
GENRE: Human Condition
LOCALE: Detroit
CIRCA: Present Day

LOGLINE:
Two brothers struggle not to waste their lives without wasting each
other at a place called the Eastern Market.

SYNOPSIS:
Eastern Market is the story of two brothers Dino & Angelo Napolitano
who live and work in the once bustling metropolis called Detroit,
that's now become an empty dying city. Similar to the city's
condition, Dino was also once a rising star, who had garnered the
adoration of thousands of boxing fans. When sports broadcasters
bring Dino's name up before a match, it's only in the negative
regarding his squandered talent. He is known as the boxing world's
poster child of self-inflicted failure. Unlike other stories about
failed fighters, there is no chance that Dino could ever return to
the ring. Dino is a keep to himself hard working guy; however, his
hard drinking has only nurtured the bitterness that's consuming his
life and everything around him. Failed at love and life, Dino
doesn't see the woman (Robin) who loves him, only the woman (Kim)
that he lost.

Dino's younger brother Angelo is married with a child and is the
binding force in Dino's life. Every time Dino fails or falls, Angelo
is there to fix things and make it right. But Angelo and his wife
are getting sick and tired of helping his brother and alcoholic
mother Irene at every turn. Angelo just wants to get on with his own
life, but can't let go of his brother.

Both men work for a scumbag named Paul at Backos meats who's been
using the brothers for years. Though it doesn't seem like it, both
men really want the same thing; to make their mark on this life
without leaving a stain, at the place called the Eastern Market.

Synopsis Writing Tips

DO

• Write in present tense
• Focus on the protagonist's journey
• Include the ending (unlike a query letter)
• Use active, vivid language
• Convey the tone/genre of the script
• Make it emotionally engaging

DON'T

• Include every subplot
• Name every character (3-4 max)
• Use dialogue unless essential
• Describe scenes in detail
• Leave the ending ambiguous
• Exceed one page

Simplicity Test

Ask yourself: "Could even an idiot read it and understand it?"

If you need to re-read sections, simplify. The producer needs to pitch this story to others in a meeting. Make it memorable and clear.

Synopsis Length Guidelines

CopyStandard: 250-350 words (one page, single-spaced)
Short: 150-200 words (half page)
Extended: 500-750 words (two pages - only if requested)

Validation Checklist

• One page or less
• Instantly understandable on first read
• Protagonist clearly identified
• Central conflict explained
• Resolution included
• Tone matches the screenplay
• No more than 3-4 character names used
• Present tense throughout
• Could be pitched verbally in 2 minutes
• Franchise/sequel potential mentioned (if applicable)